{"id":4747,"date":"2016-03-13T01:34:32","date_gmt":"2016-03-13T00:34:32","guid":{"rendered":"https:\/\/www.galtung-institut.de\/?p=4747"},"modified":"2016-03-13T01:36:22","modified_gmt":"2016-03-13T00:36:22","slug":"neda-taiyebi-the-art-of","status":"publish","type":"post","link":"https:\/\/www.galtung-institut.de\/de\/2016\/neda-taiyebi-the-art-of\/","title":{"rendered":"Neda Taiyebi (Die Kunst von)"},"content":{"rendered":"<p><\/p>\n<div class=\"tw-swapa\">\n<pre id=\"tw-target-text\" class=\"tw-data-text vk_txt tw-ta tw-text-small\" dir=\"ltr\" data-fulltext=\"\" data-placeholder=\"Translation\"><span lang=\"de\">Neda Taiyebi ( Die Kunst von)\r\nJahrzehnte der K\u00e4mpfe haben Afghanistan mit zahllosen \u00dcberresten von Milit\u00e4rapparaten \u00fcbers\u00e4t. \r\nDie K\u00fcnstlerin Neda Tayebi gestaltet diese Kriegslandschaften um. \r\n\r\nAl Jazeera Reporter Reza Sayah berichtet .\r\n\r\n<iframe loading=\"lazy\" title=\"Artist in Afghanistan turns tanks into her canvas\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/JqcG9c01ePo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\r\n\r\nLesen Sie hier mehr : http:\/\/www.theguardian.com\/world\/2015\/dec\/22\/tank-artist-machines-of-war-iran-neda-taiyebi-afghanistan-art<\/span><\/pre>\n<\/div>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Neda Taiyebi ( Die Kunst von) Jahrzehnte der K\u00e4mpfe haben Afghanistan mit zahllosen \u00dcberresten von Milit\u00e4rapparaten \u00fcbers\u00e4t. Die K\u00fcnstlerin Neda Tayebi gestaltet diese Kriegslandschaften um. Al Jazeera Reporter Reza Sayah berichtet . Lesen Sie hier mehr : http:\/\/www.theguardian.com\/world\/2015\/dec\/22\/tank-artist-machines-of-war-iran-neda-taiyebi-afghanistan-art<\/p>\n","protected":false},"author":1323,"featured_media":4041,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[15],"tags":[],"coauthors":[],"class_list":["post-4747","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-foodforthought"],"_links":{"self":[{"href":"https:\/\/www.galtung-institut.de\/de\/wp-json\/wp\/v2\/posts\/4747","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.galtung-institut.de\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.galtung-institut.de\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.galtung-institut.de\/de\/wp-json\/wp\/v2\/users\/1323"}],"replies":[{"embeddable":true,"href":"https:\/\/www.galtung-institut.de\/de\/wp-json\/wp\/v2\/comments?post=4747"}],"version-history":[{"count":2,"href":"https:\/\/www.galtung-institut.de\/de\/wp-json\/wp\/v2\/posts\/4747\/revisions"}],"predecessor-version":[{"id":4750,"href":"https:\/\/www.galtung-institut.de\/de\/wp-json\/wp\/v2\/posts\/4747\/revisions\/4750"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.galtung-institut.de\/de\/wp-json\/wp\/v2\/media\/4041"}],"wp:attachment":[{"href":"https:\/\/www.galtung-institut.de\/de\/wp-json\/wp\/v2\/media?parent=4747"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.galtung-institut.de\/de\/wp-json\/wp\/v2\/categories?post=4747"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.galtung-institut.de\/de\/wp-json\/wp\/v2\/tags?post=4747"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.galtung-institut.de\/de\/wp-json\/wp\/v2\/coauthors?post=4747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}